Graham Collins's *Tinted Blue Painting* layers spray enamel on canvas behind reclaimed wood, glass, and window tint, creating a work that filters and obscures its own painted surface. The blue-tinted film acts as both a veil and a lens, subtly shifting the viewer's perception of color and depth depending on their vantage point. By housing the piece in his own handcrafted frame, Collins blurs the boundaries between painting, object, and architecture.