Executed in oil and charcoal on Canson, this striking work exemplifies Georg Baselitz's celebrated inversion technique, in which the subject is deliberately rendered upside-down to challenge conventional modes of perception and prioritize pure painterly expression over representation. The composition is animated by purposefully rough, gestural brushwork and a bold, commanding palette that together reinforce Baselitz's longstanding commitment to the primacy of the painted surface. A powerful testament to the artist's enduring pictorial strategies, the work invites viewers to engage with form, color, and mark-making as autonomous elements liberated from narrative constraint.