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Francisco José de Goya y Lucientes — Two etchings after Diego Velázquez (1599-1660)

Francisco José de Goya y Lucientes

Two etchings after Diego Velázquez (1599-1660)

These two etchings represent Francisco Goya's homage to Diego Velázquez, Spain's greatest Old Master painter, executed around 1778 to 1779 at the prestigious Calcografía in Madrid. Goya's interpretations of Velázquez's "Margarita de Austria" and "Aesopus" demonstrate his mastery of the etching medium and his deep engagement with the Spanish artistic tradition, capturing the psychological intensity and painterly technique of the originals in his own distinctive graphic language. The impressions, printed on heavy laid paper from the first editions, bear witness to the collection's distinguished provenance, having belonged to Professor David Davies, a renowned specialist in Spanish painting.

Medium
i) Margarita de Austria, ii) Aesopus, Etchings, both circa 1778-9, good impressions on heavy laid paper from the first editions, printed at the Calcografía, Madrid, platemarks: i) 303 x 219 mm (12 x 8 5/8 in); ii) 375 x 315 mm (14 3/4 x 12 1/4 in) (2 frames: 54 x 69 x 5 cm), Provenance:, i) Christopher Mendez, London, i) & ii) Professor David Davies (1937-2022), a specialist in Spanish painting, in particular in the works of Velázquez and El Greco;, Thence by descent to the present owners, Liter

🔨 Auction Lot

Prints & Works on Paper 1500-2026

March 31, 2026

Lot 279

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About this work

Francisco José de Goya y Lucientes, Two etchings after Diego Velázquez (1599-1660)

These two etchings represent Francisco Goya's homage to Diego Velázquez, Spain's greatest Old Master painter, executed around 1778 to 1779 at the prestigious Calcografía in Madrid. Goya's interpretations of Velázquez's "Margarita de Austria" and "Aesopus" demonstrate his mastery of the etching medium and his deep engagement with the Spanish artistic tradition, capturing the psychological intensity and painterly technique of the originals in his own distinctive graphic language. The impressions, printed on heavy laid paper from the first editions, bear witness to the collection's distinguished provenance, having belonged to Professor David Davies, a renowned specialist in Spanish painting.

Medium
i) Margarita de Austria, ii) Aesopus, Etchings, both circa 1778-9, good impressions on heavy laid paper from the first editions, printed at the Calcografía, Madrid, platemarks: i) 303 x 219 mm (12 x 8 5/8 in); ii) 375 x 315 mm (14 3/4 x 12 1/4 in) (2 frames: 54 x 69 x 5 cm), Provenance:, i) Christopher Mendez, London, i) & ii) Professor David Davies (1937-2022), a specialist in Spanish painting, in particular in the works of Velázquez and El Greco;, Thence by descent to the present owners, Liter
Seen at
Forum Auctions, London, UK

Related themes

Velázquez interpretation, Etching, After Old Masters, Portraiture, Romanticism, Historical Homage, Print Medium, Monochromatic, Spanish Artist, 18th Century

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Collected by

Art Institute of Chicago