Nara similarly blends Eastern and Western visual traditions through flat graphic imagery with spiritual and emotional undertones, often depicting innocent or ethereal figures with a contemporary pop sensibility that closely mirrors Liu Ye's aesthetic in Angel Chorus.

Koons frequently incorporates angelic and heavenly imagery rendered through high gloss commercial techniques including silkscreen, sharing Liu Ye's interest in elevating sacred iconography through contemporary reproduction methods on canvas.

Murakami's superflat movement embraces silkscreen and print based techniques on canvas to create spiritually charged imagery that fuses Eastern and Western iconographic traditions, directly paralleling the cross cultural angelic subject matter and silkscreen medium of Liu Ye's work.