Mark di Suvero's screenprint from The New York Collection for Stockholm represents a rare foray into printmaking for the sculptor renowned for his monumental steel constructions. Created in 1973 as part of an ambitious portfolio comprising seventeen screenprints, nine lithographs, and additional mixed media works, this piece translates di Suvero's dynamic compositional sensibilities to the intimate scale of paper. The edition of 300 demonstrates the project's intention to make works by significant contemporary artists more widely accessible during a pivotal moment in American art.