Bourdin similarly worked in high contrast black and white and color fashion photography that provocatively blurred the boundaries between the dressed and undressed body, using conceptual juxtaposition and a commanding gaze to interrogate desire and identity.

Araki's gelatin silver print photography obsessively pairs clothed and nude states of the female subject, exploring similar themes of voyeurism, identity, and the tension between concealment and exposure in a comparably provocative and conceptual manner.

Sherman's conceptual photographic series similarly use sequential and diptych structures to examine the constructed nature of female identity, the performative relationship between dressed presentation and the body, and the power dynamics embedded in the act of looking.