Join The Collection to save, track, and explore works like this.

Cindy Sherman — Cindy Sherman’s career is one defined by disguise. Employing herself as model, she uses cosmetics and costume to examine the drama and grotesquery of the modern image; often tinged with menace, her photographs are a chimeric catalogue of type-figures. She began by depicting hypothetical B-movie characters in the 1970s, and has long since trod the boards of dark theatricality. One of the foremost artists in photography, she transgresses the boundaries of self-portraiture with a piercing and often disturbing gaze.
Cindy Sherman

Cindy Sherman’s career is one defined by disguise. Employing herself as model, she uses cosmetics and costume to examine the drama and grotesquery of the modern image; often tinged with menace, her photographs are a chimeric catalogue of type-figures. She began by depicting hypothetical B-movie characters in the 1970s, and has long since trod the boards of dark theatricality. One of the foremost artists in photography, she transgresses the boundaries of self-portraiture with a piercing and often disturbing gaze.

This striking chromogenic print exemplifies Sherman's masterful manipulation of identity and self-representation, in which she transforms herself into an unnamed, archetypal figure drawn from the visual language of cinema and mass media. Rendered with theatrical precision, the work blurs the line between portraiture and performance, inviting the viewer to question the constructed nature of identity and the female image. Housed in the artist's own frame, the work extends Sherman's meticulous control over the presentation and context of her unsettling, chimeric vision.

Medium
chromogenic print, in artist's frame

🔨 Auction Lot

Contemporary Art Evening Sale

June 29, 2015

Start the Discussion

Request access to join the discussion

About this work

Cindy Sherman, Cindy Sherman’s career is one defined by disguise. Employing herself as model, she uses cosmetics and costume to examine the drama and grotesquery of the modern image; often tinged with menace, her photographs are a chimeric catalogue of type-figures. She began by depicting hypothetical B-movie characters in the 1970s, and has long since trod the boards of dark theatricality. One of the foremost artists in photography, she transgresses the boundaries of self-portraiture with a piercing and often disturbing gaze.

This striking chromogenic print exemplifies Sherman's masterful manipulation of identity and self-representation, in which she transforms herself into an unnamed, archetypal figure drawn from the visual language of cinema and mass media. Rendered with theatrical precision, the work blurs the line between portraiture and performance, inviting the viewer to question the constructed nature of identity and the female image. Housed in the artist's own frame, the work extends Sherman's meticulous control over the presentation and context of her unsettling, chimeric vision.

Medium
chromogenic print, in artist's frame
Seen at
Phillips, New York, London, Hong Kong

Related themes

Postmodern Art, Acclaimed Artist, Identity And Disguise, Figurative Photography, Conceptual Art, Contemporary Photography, American Artist, Dark And Unsettling, Chromogenic Print, Theatrical Imagery, Self-Portrait, Dark And Moody, Female Artist, Influential Artist

More works by Cindy Sherman