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Christopher Williams — Nikkor W300 mm f/5.6 with No. 3 shutter 1:5.6 Product Aperture f/64 Product Number 1320 NAS Serial Number 780612 Large Format Camera Lens. Photography by the Douglas M. Parker Studio, Glendale, California. August 2, 2005
Christopher Williams

Nikkor W300 mm f/5.6 with No. 3 shutter 1:5.6 Product Aperture f/64 Product Number 1320 NAS Serial Number 780612 Large Format Camera Lens. Photography by the Douglas M. Parker Studio, Glendale, California. August 2, 2005

2005

This gelatin silver print by Christopher Williams presents a meticulous, clinical study of a Nikkor W 300mm f/5.6 large format camera lens, photographed by the Douglas M. Parker Studio in Glendale, California on August 2, 2005. The work exemplifies Williams' conceptual approach to photography, in which technical documentation and commercial imaging conventions are appropriated as a means of interrogating the systems of knowledge and representation embedded in photographic practice. The image's precise, catalog-like rendering transforms the lens—itself an instrument of image-making—into a self-referential object of aesthetic and critical inquiry.

Medium
gelatin silver print

🔨 Auction Lot

20th Century & Contemporary Art Day Sale

May 17, 2017

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About this work

Christopher Williams, Nikkor W300 mm f/5.6 with No. 3 shutter 1:5.6 Product Aperture f/64 Product Number 1320 NAS Serial Number 780612 Large Format Camera Lens. Photography by the Douglas M. Parker Studio, Glendale, California. August 2, 2005, 2005

This gelatin silver print by Christopher Williams presents a meticulous, clinical study of a Nikkor W 300mm f/5.6 large format camera lens, photographed by the Douglas M. Parker Studio in Glendale, California on August 2, 2005. The work exemplifies Williams' conceptual approach to photography, in which technical documentation and commercial imaging conventions are appropriated as a means of interrogating the systems of knowledge and representation embedded in photographic practice. The image's precise, catalog-like rendering transforms the lens—itself an instrument of image-making—into a self-referential object of aesthetic and critical inquiry.

Medium
gelatin silver print
Year
2005
Seen at
Phillips, New York, London, Hong Kong

Related themes

Postmodern Art, Conceptual Photography, Institutional Critique, Large Format Photography, Male Artist, Gelatin Silver Print, Contemporary Artist, American Artist, Product Photography, 21st Century Art, Monochromatic, Clinical Aesthetic, Established Artist, Black and White, Still Life

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