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Christopher Williams — Linhof Technika V fabricated in Munich, Germany. Salon Studio Stand fabricated in Florence, Italy. Dual cable release. Prontor shutter. Symars lens 150mmm/f 5.6 Schneider kreuznach. Sinar fresnel lens placed with black tape on the ground glass. (Yellow) Dirk Sharper Studio, Berlin, June 19, 2007
Christopher Williams

Linhof Technika V fabricated in Munich, Germany. Salon Studio Stand fabricated in Florence, Italy. Dual cable release. Prontor shutter. Symars lens 150mmm/f 5.6 Schneider kreuznach. Sinar fresnel lens placed with black tape on the ground glass. (Yellow) Dirk Sharper Studio, Berlin, June 19, 2007

This meticulously detailed chromogenic print by Christopher Williams depicts a large-format Linhof Technika V camera mounted on a Salon Studio Stand, photographed in Dirk Sharper's Berlin studio in 2007. The work's exhaustive title catalogs the equipment's precise components and geographic origins, including a Schneider Kreuznach Symmar lens and a Sinar fresnel lens affixed with black tape. True to Williams's conceptual practice, the piece foregrounds the apparatus of photographic production itself, collapsing the distinction between subject and medium.

Medium
chromogenic print

🔨 Auction Lot

Contemporary Art Day Sale

May 15, 2015

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About this work

Christopher Williams, Linhof Technika V fabricated in Munich, Germany. Salon Studio Stand fabricated in Florence, Italy. Dual cable release. Prontor shutter. Symars lens 150mmm/f 5.6 Schneider kreuznach. Sinar fresnel lens placed with black tape on the ground glass. (Yellow) Dirk Sharper Studio, Berlin, June 19, 2007

This meticulously detailed chromogenic print by Christopher Williams depicts a large-format Linhof Technika V camera mounted on a Salon Studio Stand, photographed in Dirk Sharper's Berlin studio in 2007. The work's exhaustive title catalogs the equipment's precise components and geographic origins, including a Schneider Kreuznach Symmar lens and a Sinar fresnel lens affixed with black tape. True to Williams's conceptual practice, the piece foregrounds the apparatus of photographic production itself, collapsing the distinction between subject and medium.

Medium
chromogenic print
Seen at
Phillips, New York, London, Hong Kong

Related themes

Analytical Mood, Postmodern Art, Conceptual Photography, Typographic Title, Contemporary American Artist, Institutional Critique, Large Format Photography, Studio Photography, Male Artist, Studio Setting, Postmodern, Contemporary Artist, American Artist, Chromogenic Print, Deadpan Aesthetic, Neutral Color Palette, 21st Century, Analytical Style, Post-Conceptualism, Neutral Tones, Technical Apparatus, Photographic Equipment, Still Life

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