De Keyser shared Ostrowski's commitment to reductive, spare painting where minimal marks on largely empty canvas surfaces create a tension between intention and accident. His small, hesitant gestures and interest in painting's own fragility and limitations directly echo the contemplative emptiness found in this work.

Von Heyl's experimental abstract canvases combine gestural marks, layered mixed media elements, and a deliberate interrogation of what painting can and cannot do, mirroring Ostrowski's philosophical and material approach. Her German background and engagement with contemporary abstraction's conceptual stakes align closely with the spirit of this specific piece.

Mollett works with layered oil and mixed media surfaces where accidental drips and raw material qualities are embraced rather than concealed, creating compositions that feel both deliberate and contingent much like this Ostrowski work. Her interest in exposing the physical process of painting resonates with the gestural and experimental qualities visible here.