Twombly's large scale canvases similarly merge gestural mark making with calligraphic and text inspired strokes, creating a meditative tension between spontaneity and intention. His layered surfaces mixing oil, crayon, and collaged elements closely parallel Ostrowski's use of paper and lacquer to build textural depth.

As a fellow German abstract painter, Förg shared Ostrowski's interest in gestural abstraction on large canvases with a restrained yet energetic vocabulary of marks and a sophisticated engagement with materiality. His works similarly balance urban contemporary aesthetics with a philosophical undercurrent in the painted surface.

Schultz creates mixed media works that incorporate layered industrial and everyday materials onto painted surfaces, echoing Ostrowski's combination of lacquer and paper on canvas. Her practice similarly explores gestural mark making within a contemporary German art context that engages with urban visual culture and material experimentation.