Gates similarly constructs layered mixed media works that incorporate salvaged urban materials including paper, tar, and found objects to create richly textured abstract compositions that speak to community and place. His process of building surfaces from culturally charged everyday materials closely mirrors Bradford's excavation and collage approach.

Gallagher creates densely layered collage works on canvas using printed paper ephemera, foil, and mixed media that generate similarly reflective and textural surfaces with muted and metallic tonal ranges. Her practice of fragmenting and repurposing printed materials into abstract yet culturally resonant compositions aligns directly with Bradford's method in Click.

Mehretu builds complex abstract works that evoke urban cartography through layered acrylic paint and ink on canvas, creating map like formations with dense textural buildup similar to Bradford's approach in Click. Her use of architectural and urban source material translated into abstract layered compositions shares the same visual language and thematic concerns.