Kruger similarly appropriates mass media imagery and combines photographic elements with bold graphic interventions to challenge representations of gender and sexuality in a conceptually provocative manner. Her fragmented, layered approach to visual communication mirrors Heinecken's strategy of disrupting conventional female imagery through mixed media construction.

Wilke's work directly confronts female sexuality and bodily representation through mixed media constructions that blend photography with sculptural and drawn elements, much like Heinecken's photographic emulsion and pastel chalk technique. Both artists provocatively challenge societal and media driven norms around femininity and desire.

Sherman's conceptual photographic practice interrogates mass media stereotypes of female sexuality and identity through constructed and manipulated imagery, closely aligning with Heinecken's appropriation of commercial visual culture. Both artists use the photographic medium as a critical tool to fragment and destabilize conventional representations of femininity.