Pettibon similarly weaponizes found text and raw imagery into confrontational works steeped in underground punk culture and social transgression, assembling fragments that collapse the personal and political with the same anarchic energy present in Show No Mercy.

Basquiat shared Snow's instinct to channel street culture and urban marginalia into visceral, layered works that function as defiant visual documents, combining text, imagery, and raw aesthetic aggression rooted in New York underground life.

Kelley worked within a Neo-Dada framework to transform discarded and found materials into provocative assemblages that confront social taboos and subcultural transgression, directly paralleling Snow's collage practice of excavating meaning from the margins of culture.