This 2001 work by Nicola Tyson demonstrates the artist's characteristic approach to mark making and gestural abstraction through a medium that remains intimate and direct. The dual signatures and dates in pencil on both the front and verso suggest a deliberate archival consciousness, emphasizing the work's status as a finished piece despite its seemingly spontaneous execution. The presentation of multiple works framed together creates a serial or portfolio effect, inviting viewers to consider relationships between individual compositions while celebrating the immediacy of pencil as a primary artistic medium.