Carlos Garaicoa's *Aquí estuvieron los cubanos (I and II)* reflects the artist's ongoing exploration of history, urban memory, and the complex legacy of Cuban political and cultural presence across the globe. The work engages with ideas of inscription and erasure, tracing the invisible yet indelible marks left by individuals and ideologies in spaces that have since been transformed or forgotten. Garaicoa's practice weaves together architecture, language, and collective memory to question how history is recorded, claimed, and ultimately contested.