Walter Vogel's four gelatin silver prints, printed in 2004, document Joseph Beuys's iconic 1965 performance in which the artist, his head covered in honey and gold leaf, cradled a dead hare while moving through a gallery and murmuring explanations of the artworks on the walls. Vogel's photographs capture the haunting, ritualistic quality of Beuys's actions, preserving the mystical and philosophical dimensions of a performance witnessed by only a handful of onlookers through a gallery window. The series stands as a vital historical record of one of Fluxus and performance art's most celebrated and enigmatic works.