Koons similarly employs polished stainless steel as a primary sculptural material, elevating everyday and popular culture references into high art objects. His work shares Peake's interest in bridging vernacular aesthetics with luxurious, reflective industrial surfaces.

Futura 2000 pioneered the integration of spray paint graffiti techniques into fine art contexts, creating abstract gestural works that mirror Peake's use of street art methods on unconventional surfaces. His practice directly connects graffiti culture to gallery based sculptural and mixed media work.

Kapoor extensively uses highly polished stainless steel as a sculptural medium, exploring its reflective and perceptual qualities in ways that parallel Peake's application of paint onto mirrored metal surfaces. Both artists exploit the tension between the material's industrial perfection and applied surface interventions.