Anish Kapoor

Serra similarly created monumental steel sculptures that envelop the viewer in immersive spatial and psychological experiences. Both artists share an interest in how large scale abstract forms can provoke a sense of awe and disorientation.

Eliasson works with light, reflection, and large scale installation to create immersive environments that heighten perceptual awareness, closely paralleling Kapoor's explorations of the sublime and viewer engagement. Both artists use reflective and luminous materials to blur boundaries between object and space.

Turrell's investigations into light, perception, and the void resonate deeply with Kapoor's central themes of negative space and the ineffable. Both artists craft environments that dissolve material certainty and invite contemplative, almost spiritual experiences.

Brancusi's pursuit of pure form, reduction to essence, and polished reflective surfaces in sculpture laid conceptual groundwork that Kapoor built upon in his own abstract and biomorphic works. Kapoor has cited Brancusi's ability to make sculpture feel primordial and universal as a key inspiration.

Klein's obsessive use of a single saturated pigment to evoke the infinite and the void directly influenced Kapoor's early powder pigment works of the 1980s. Kapoor has acknowledged Klein's exploration of color as a metaphysical rather than decorative force.

Newman's engagement with the sublime, scale, and the confrontation of pure presence in abstract art shaped Kapoor's ambition to create works that overwhelm and transform the viewer emotionally. Kapoor frequently references Newman's ideas about art as a vehicle for transcendence.

Gupta's large scale installations using reflective and everyday materials to evoke cultural identity and the uncanny show a clear debt to Kapoor's pioneering approach to sculpture as immersive spectacle. As a prominent Indian artist working globally, Gupta has spoken about Kapoor opening critical and institutional doors for artists of South Asian origin.

Plensa creates monumental public sculptures that engage with reflection, light, and the human relationship to vast abstract form, a practice visibly shaped by Kapoor's success in bringing contemplative sculpture into civic spaces. His work similarly invites viewers to see themselves within the artwork as a participant rather than a bystander.