Stella's geometric abstractions similarly employ radiating lines and symmetrical compositions that fan outward from central points, creating visually vibrating fields of color with meticulous planning. His works on paper especially share Grotjahn's balance of controlled geometry and expressive energy within abstract frameworks.

Tomaselli creates densely layered works on paper with radial and symmetrical compositions that produce a meditative yet intensely visual effect, closely mirroring Grotjahn's butterfly series in their hypnotic patterning and warm color saturation. Both artists build complexity through repetitive mark making that feels simultaneously planned and intuitive.

Auerbach's works explore geometric abstraction through densely built linear patterns and color fields that share Grotjahn's controlled expressionism and meditative quality. Her meticulous mark making on paper generates a similar sense of optical vibration and structural symmetry rooted in repeated directional lines.