Baldessari similarly combines found photographic imagery and text fragments into conceptually layered works that interrogate how images construct meaning, mirroring Muniz's use of accumulated ephemera to build monumental urban narratives.

Hirschhorn assembles dense collages of found printed materials, photographs, and paper ephemera into large scale works that address collective memory and urban experience, closely paralleling Muniz's trompe l'oeil method of building iconic imagery from intimate discarded fragments.

Khan creates large format photographic works that layer and compress multiple existing images into single unified compositions, sharing Muniz's approach of using photographic scale and accumulation to transform familiar subjects into richly textured conceptual statements.