Baselitz shares Schütte's German expressionist sensibility and commitment to figurative distortion as a vehicle for psychological and political tension. His bronze sculptures similarly use abstracted human forms to evoke conflict and unease within a contemporary art context.

Balkenhol creates figurative sculptures with a deliberately raw and ambiguous quality that mirrors Schütte's exploration of the human form through expressive distortion. Both artists use sculptural figuration to prompt social and psychological reflection on human relationships and identity.

Smith creates fragmented and abstracted figurative sculptures that similarly investigate tension between vulnerability and resilience in the human body, often working with bronze and mixed materials. Her work shares Schütte's interest in using divided or distorted bodily forms to carry layered social and political commentary.