Trecartin creates frenetic multi-channel video works that collapse corporate language, consumer culture, and identity into surreal transmedia spectacles, mirroring Ball's strategy of treating brand imagery and commercial systems as vessels for apocalyptic and esoteric transformation.

Steyerl's video installations interrogate global capitalism, corporate power, and technology through a speculative and critical lens, closely paralleling Ball's transmutation of electronics branding into occult ritual and crisis narrative.

Wolfson produces unsettling video and multimedia works that weaponize consumer aesthetics and corporate visual language to generate psychologically destabilizing experiences, sharing Ball's approach of mutating familiar commercial iconography into something darkly transformative.