Adams similarly used gelatin silver prints to capture dramatic natural landscapes with meticulous attention to light and tonal range, treating nature as both a literal subject and a vehicle for deeper emotional meaning.

Weston shared White's commitment to finding abstract formal qualities within natural subjects, using black and white photography to transform organic forms like rocks, trees, and terrain into philosophical meditations on shape and light.

Caponigro was directly influenced by Minor White and pursues a similarly contemplative approach to landscape photography, using gelatin silver prints to explore the spiritual and metaphorical dimensions hidden within natural forms.