Martin Parr photographs tourist culture and mass consumption with vivid color saturation and a sharp wit that closely mirrors Simmons's critique of tourism and kitsch aesthetics in this Stonehenge piece. His work similarly appropriates iconic landmarks and consumer culture through a postmodern photographic lens.

Cindy Sherman shares Simmons's conceptual photographic practice rooted in appropriation, pop culture imagery, and constructed artifice that critiques media and mass representation. Both artists use photography in the 1980s to interrogate familiar cultural imagery through staged and manipulated visual strategies.

Barbara Kruger works within the same postmodern American tradition as Simmons, using bold visual appropriation and conceptual strategies to critique consumer culture and mass media during the same 1980s period. Her work shares the same satirical engagement with popular cultural symbols and dominant ideological imagery.