Rudolf Stingel
The radicalness of Stingel’s Cellotex panels is often underestimated. While rejecting any suggestion of being a social, political or conceptual gesture, these works may be some of the most open and brave moments in recent contemporary art production. As with his provocative instruction book on how to make his paintings, Stingel once again gives himself and his work, in their totality, to the public and the viewer. He invites the viewer inside the surface of his work, and allows anyone to make a 'contribution' to it. The critical voice of the viewer becomes part of the work. Like magnetic tape, the artist records the viewer’s reaction to his work – not simply verbally, but physically.
