Norwegian Artist

|

Fredrik Værslev — Landscape: Gold #2

Fredrik Værslev

Landscape: Gold #2

Artists

Ida Ekblad

Ida Ekblad

Fredrik Værslev

Fredrik Værslev

Matias Faldbakken

Matias Faldbakken

Edvard Munch

Edvard Munch

Gardar Eide Einarsson

Gardar Eide Einarsson

Yngve Holen

Håvard Homstvedt

Håvard Homstvedt

Harald Sohlberg

Harald Sohlberg

Henrik Aa. Uldalen

Henrik Aa. Uldalen

Audun Alvestad

Audun Alvestad

Anna-Eva Bergman

Anna-Eva Bergman

Bjarne Melgaard

Fredrik Værslev — Landscape: Gold #2

Fredrik Værslev

Landscape: Gold #2

Gardar Eide Einarsson — All Alone Among Friends

Gardar Eide Einarsson

All Alone Among Friends

Ida Ekblad — Loops

Ida Ekblad

Loops

Fredrik Værslev — house paint, spraypaint on wood, steel support

Fredrik Værslev

house paint, spraypaint on wood, steel support

Fredrik Værslev — The present lot, a work from Frederik Værslev’s ‘Terrazzo’ series, exemplifies the artist’s efforts to express artistic process rather than meaning or representation. Produced through a combination of focused studio manipulations, such as paint drips, drops and brushstrokes, as well as through the utilisation of chemical solvents, Værslev then allows the uncontrollable forces of Mother Nature to shape the appearance of his abstracted works. Both production and product are crucial to Værslev’s practice, a focus that is further accentuated through the absence of narrative and an emphasis on the dichotomy of pictorial depth and flatness of surface. By lying each marked, upstretched canvases on the ground outside his studio for six months, Værslev’s creates works that embody a sense of wear and method which is exemplified through the assortment of faint natural and technical stains and markings scattered across the surface of the canvas. Værslev’s endeavours are strictly in the pursuit of art: his works both offer and argue for a redefinition of painting through playful experimentation. By circumventing representation and allowing the intensity of the physicality of the works to perform conceptually, Værslev’s raises questions about how painting could be considered through the message of the medium.“I’m interested in mark-making as a set of moves. If you believe enough in them, in those actions as much as I do, it doesn’t matter so much how they end up." -FREDERIK VAERSLEV

Håvard Homstvedt — Tattered Edgings

Ida Ekblad — Jealousy

Fredrik Værslev — Toro #6

Request access to see more

Explore More

Realism

Realism

Realism: The Art of Refusing to Look Away

Urban

Urban

The City Has Always Been the Canvas

Perspective

Perspective

The Art of Seeing What Others Miss

The Collection © 2026About Galleries Museums Artists Advisors Topics Terms Privacy Contact