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Yves Klein — L'Esclave Mourant D'Après Michel-Ange (S20)
Yves Klein

L'Esclave Mourant D'Après Michel-Ange (S20)

1962

A masterwork of Klein's iconic International Klein Blue, this sculpture coats Michelangelo's *Dying Slave* in a deep, otherworldly ultramarine pigment suspended in resin, transforming the Renaissance original into something both ancient and radically modern. The saturated blue absorbs and emanates light simultaneously, dissolving the figure's physical form into pure chromatic sensation. Klein's appropriation elevates color itself as the true subject, suggesting that the soul, like the pigment, transcends the material world.

Medium
IKB pigment and resin on plaster

🔨 Auction Lot

20th Century & Contemporary Art & Design Evening Sale

November 27, 2016

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About this work

Yves Klein, L'Esclave Mourant D'Après Michel-Ange (S20), 1962

A masterwork of Klein's iconic International Klein Blue, this sculpture coats Michelangelo's *Dying Slave* in a deep, otherworldly ultramarine pigment suspended in resin, transforming the Renaissance original into something both ancient and radically modern. The saturated blue absorbs and emanates light simultaneously, dissolving the figure's physical form into pure chromatic sensation. Klein's appropriation elevates color itself as the true subject, suggesting that the soul, like the pigment, transcends the material world.

Medium
IKB pigment and resin on plaster
Year
1962
Seen at
Phillips, New York, London, Hong Kong

Related themes

Monochrome, Mid Century Modern, Contemplative Mood, Neo-Avant-Garde, Male Artist, Sculpture, International Klein Blue, French Artist, Pigment And Resin, Classical Reference, After Michelangelo, Blue Tones, Meditative Mood, Pigment On Plaster, Modern Master, Sculptural Relief

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