Blek le Rat similarly employs stencil work in urban public spaces to pose questions about intrusion and the boundary between private life and communal space. Both artists use a pseudonymous persona and work across murals and street contexts to amplify conceptual rather than purely aesthetic messages.

Fairey shares with TocToc a practice rooted in street intervention, stencil and illustration techniques, and the deliberate infiltration of public and commercial visual environments. His use of a constructed public identity and graphic language to provoke questions of legitimacy and presence resonates with TocToc's thematic territory.

JR operates under a pseudonym and investigates liminal thresholds between public and private through large scale interventions on architectural surfaces. His practice of anonymity as artistic strategy and his focus on spaces of transition align closely with TocToc's conceptual concerns.