Thomas Zipp's *Blue Flowers (Lysol)* is a multi-part work combining large-scale painted canvases in acrylic and oil with intimate works on paper featuring collage and pen. The series juxtaposes raw, gestural mark-making with fragmented, archival imagery, reflecting Zipp's ongoing investigation into psychology, altered states, and systems of control. Together, the components create a dissonant yet cohesive visual language that oscillates between the clinical and the expressive.