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Salvador Dalí — Raphael ‘Le Marriage de la Vierge’, From Changes in Great Masterpieces (Field 74-2C, M&L 1477)
Salvador Dalí

Raphael ‘Le Marriage de la Vierge’, From Changes in Great Masterpieces (Field 74-2C, M&L 1477)

In this 1974 lithograph, Dalí reinterprets Raphael's Renaissance masterpiece "The Marriage of the Virgin" through his distinctive Surrealist lens, transforming the classical composition with dreamlike distortions and unexpected visual juxtapositions. Part of his "Changes in Great Masterpieces" series, the work demonstrates Dalí's characteristic approach of deconstructing and reimagining canonical artworks to reveal hidden dimensions and psychological depths. The hand-signed and numbered print, limited to 350 copies, exemplifies Dalí's prolific engagement with printmaking as a medium for exploring the dialogue between classical tradition and modern avant-garde innovation.

Medium
Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 872 x 560mm (34 3/8 x 22in) (unframed), Condition, Related Lots, BACK TO AUCTION CATALOGUE, Salvador Dalí (1904-1989) Gladiolus Cum Aurium Corymbo, from Surrealistic Flowers (Field 72-7G; M&L 541), Estimate: £1,000 - 1,500, Pierre-Auguste Renoir (1841-1919) La Danse à la Campagne (De

🔨 Auction Lot

Prints & Works on Paper 1500-2026

March 31, 2026

Lot 215

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About this work

Salvador Dalí, Raphael ‘Le Marriage de la Vierge’, From Changes in Great Masterpieces (Field 74-2C, M&L 1477)

In this 1974 lithograph, Dalí reinterprets Raphael's Renaissance masterpiece "The Marriage of the Virgin" through his distinctive Surrealist lens, transforming the classical composition with dreamlike distortions and unexpected visual juxtapositions. Part of his "Changes in Great Masterpieces" series, the work demonstrates Dalí's characteristic approach of deconstructing and reimagining canonical artworks to reveal hidden dimensions and psychological depths. The hand-signed and numbered print, limited to 350 copies, exemplifies Dalí's prolific engagement with printmaking as a medium for exploring the dialogue between classical tradition and modern avant-garde innovation.

Medium
Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 872 x 560mm (34 3/8 x 22in) (unframed), Condition, Related Lots, BACK TO AUCTION CATALOGUE, Salvador Dalí (1904-1989) Gladiolus Cum Aurium Corymbo, from Surrealistic Flowers (Field 72-7G; M&L 541), Estimate: £1,000 - 1,500, Pierre-Auguste Renoir (1841-1919) La Danse à la Campagne (De
Seen at
Forum Auctions, London, UK

Related themes

Surrealism, 20th Century, Art historical commentary, Contemplative Mood, Mixed Media, Dreamlike Aesthetic, Altered masterpiece, Religious Subject Matter, Spanish Artist, Reproductive Print

More works by Salvador Dalí

Collected by

Hamilton Selway Gallery, Art Institute of Chicago, Alex Capecelatro, Saul Beceiro Novo