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Richard Prince — Through processes of appropriation, Richard Prince explores the distinctive iconography of modern America. Surveying the cultural landscape with a gaze that is both searching and oddly inscrutable, he draws influence from the worlds of entertainment, branding and advertising.  From cowboys to motorcycles, he works with a readymade pictorial mythology, displaying an instinctive understanding of pop cultural and sub-cultural imagery.
Richard Prince

Through processes of appropriation, Richard Prince explores the distinctive iconography of modern America. Surveying the cultural landscape with a gaze that is both searching and oddly inscrutable, he draws influence from the worlds of entertainment, branding and advertising. From cowboys to motorcycles, he works with a readymade pictorial mythology, displaying an instinctive understanding of pop cultural and sub-cultural imagery.

Richard Prince's work in cast resin and fibreglass transforms the readymade iconography of modern America into tangible, three-dimensional form. Through appropriation, he draws from the visual language of advertising, entertainment, and subculture, recontextualising familiar imagery to expose the myths embedded in popular consciousness. The choice of industrial materials echoes his fascination with mass production and the manufactured nature of cultural identity.

Medium
cast resin, fibreglass

🔨 Auction Lot

Contemporary Art Evening Sale

June 29, 2015

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About this work

Richard Prince, Through processes of appropriation, Richard Prince explores the distinctive iconography of modern America. Surveying the cultural landscape with a gaze that is both searching and oddly inscrutable, he draws influence from the worlds of entertainment, branding and advertising. From cowboys to motorcycles, he works with a readymade pictorial mythology, displaying an instinctive understanding of pop cultural and sub-cultural imagery.

Richard Prince's work in cast resin and fibreglass transforms the readymade iconography of modern America into tangible, three-dimensional form. Through appropriation, he draws from the visual language of advertising, entertainment, and subculture, recontextualising familiar imagery to expose the myths embedded in popular consciousness. The choice of industrial materials echoes his fascination with mass production and the manufactured nature of cultural identity.

Medium
cast resin, fibreglass
Seen at
Phillips, New York, London, Hong Kong

Related themes

American Iconography, Cultural Commentary, Subculture Imagery, Resin And Fibreglass, Male Artist, Americana, Sculpture, Postmodern, Appropriation Art, American Artist, Pop Culture Imagery, Three Dimensional Work, Pop Art, American Male Artist, Provocative, Contemporary Art, Figurative

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