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Rembrandt Harmensz. van Rijn — The Tribute Money (b., Holl. 68; New Holl. 138; H. 124)
Rembrandt Harmensz. van Rijn

The Tribute Money (b., Holl. 68; New Holl. 138; H. 124)

A masterful etching by Rembrandt van Rijn, this composition depicts the biblical scene of the Tribute Money, rendered with the artist's characteristic command of light and shadow through his skilled use of fine, expressive lines. Executed circa 1634, this good impression of the second state (of four) demonstrates Rembrandt's early virtuosity in printmaking, with touches of drypoint adding subtle richness and depth to the work. The interplay of dramatically lit figures against a darkened background exemplifies the chiaroscuro technique that would define Rembrandt's enduring legacy as one of the greatest etchers in the history of art.

Medium
Etching with touches of drypoint, circa 1634, a good impression of New Hollstein’s second state (of four), unframed

🔨 Auction Lot

Prints & Multiples

March 19, 2020

Estimate: $2,000$4,000

Lot 63

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About this work

Rembrandt Harmensz. van Rijn, The Tribute Money (b., Holl. 68; New Holl. 138; H. 124)

A masterful etching by Rembrandt van Rijn, this composition depicts the biblical scene of the Tribute Money, rendered with the artist's characteristic command of light and shadow through his skilled use of fine, expressive lines. Executed circa 1634, this good impression of the second state (of four) demonstrates Rembrandt's early virtuosity in printmaking, with touches of drypoint adding subtle richness and depth to the work. The interplay of dramatically lit figures against a darkened background exemplifies the chiaroscuro technique that would define Rembrandt's enduring legacy as one of the greatest etchers in the history of art.

Medium
Etching with touches of drypoint, circa 1634, a good impression of New Hollstein’s second state (of four), unframed
Seen at
Sotheby's, New York, London, Hong Kong, Paris

Related themes

Monochrome, Master, Etching, Baroque, Dutch, Religious, Biblical, Narrative, Figurative, Seventeenth Century

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