This dynamic composition features a solitary figure plummeting downward through a turbulent field of gestural blue and white brushstrokes that evoke both water and atmospheric chaos. The artist employs rapid, directional marks to create a sense of violent motion and struggle, contrasting the figure's dark silhouette against the luminous, energetic background. Handwritten text at the top reads 'There was no good running, so obstructed way the path, so guard were the feet,' suggesting themes of entrapment and futility. The work combines ink and watercolor to achieve a raw, expressionistic quality that captures psychological distress through abstraction and figuration. Created in 1998, this piece exemplifies the artist's characteristic fusion of personal narrative with gestural abstraction.