Ha Chong-Hyun is a central figure in the Dansaekhwa movement alongside Park Seo-Bo, creating monochromatic canvases defined by repetitive gestural mark-making and a meditative engagement with materials. His works share the same contemplative minimalism and emphasis on process over representation seen in Ecriture No. 15.

Twombly similarly combined oil paint and pencil on canvas to produce works centered on gestural writing, scrawled marks, and the expressive potential of line as both language and abstraction. His repetitive graphic mark-making on monochromatic or muted fields closely echoes the visual logic of Ecriture No. 15.

Lee Ufan is a leading Dansaekhwa and Mono-ha artist whose restrained, repetitive brushstroke compositions on bare canvas share the same minimalist and contemplative spirit as Park Seo-Bo's Ecriture series. Both artists treat mark-making as a philosophical act rooted in presence, absence, and the rhythm of gesture.