This framed work presents a dark, heavily textured surface in deep browns and blacks, with irregular white apertures cut or worn through the composition. Pigmented methyl cellulose applied to construction mesh creates a tactile, deteriorated appearance suggestive of organic decay or exposed layers. The work operates at the intersection of abstraction and bodily reference, engaging with material fragility and absence as formal concerns. Lee's practice interrogates the boundary between surface and void, treating the frame not as a protective boundary but as a container for material rupture and revelation.