Manzoni similarly elevated everyday and industrial materials into conceptual artworks, challenging traditional notions of what constitutes art. His Achromes series shares the same reductive, material focused minimalism seen in Faldbakken's tape on linen.

Toroni's practice of applying paint marks to canvas in systematic, conceptually governed ways parallels Faldbakken's use of tape as a primary compositional element on linen. Both artists reduce painting to its most basic material and procedural components.

Rajlich creates severely minimal works on canvas using repetitive, methodical application of simple materials, closely mirroring Faldbakken's conceptual and reductive approach to linen as a support. His work similarly questions the boundary between process, material, and finished artwork.