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Marcel Broodthaers — Charles Baudelaire. Pauvre Belgique (Charles Baudelaire. Poor Belgium) (V. 43)
Marcel Broodthaers

Charles Baudelaire. Pauvre Belgique (Charles Baudelaire. Poor Belgium) (V. 43)

This work by Marcel Broodthaers references Charles Baudelaire's "Poor Belgium," a collection of the poet's critical notes on Belgian culture, transforming literary content into a conceptual art piece. The signed, dated, and numbered print, limited to an edition of 40 with 4 additional proofs, demonstrates Broodthaers' characteristic practice of engaging with historical texts and cultural institutions through printmaking and publication. By adopting the role of publisher alongside Herman Daled, Yves Gevaert, and Paul Lebeer, Broodthaers blurs the boundaries between artistic creation and editorial practice, central concerns in his oeuvre.

Medium
Signed with initials, dated and numbered 39 in black ink on the colophon, from the edition of 40 (there were also 4 proofs), published by Herman Daled, Yves Gevaert and Paul Lebeer, Paris.
Location
Phillips, Salt Lake City, UT

🔨 Auction Lot

Evening & Day Editions

January 23, 2025

Estimate: $6,000 to $8,000

Sold: $8,255

Lot 88

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About this work

Marcel Broodthaers, Charles Baudelaire. Pauvre Belgique (Charles Baudelaire. Poor Belgium) (V. 43)

This work by Marcel Broodthaers references Charles Baudelaire's "Poor Belgium," a collection of the poet's critical notes on Belgian culture, transforming literary content into a conceptual art piece. The signed, dated, and numbered print, limited to an edition of 40 with 4 additional proofs, demonstrates Broodthaers' characteristic practice of engaging with historical texts and cultural institutions through printmaking and publication. By adopting the role of publisher alongside Herman Daled, Yves Gevaert, and Paul Lebeer, Broodthaers blurs the boundaries between artistic creation and editorial practice, central concerns in his oeuvre.

Medium
Signed with initials, dated and numbered 39 in black ink on the colophon, from the edition of 40 (there were also 4 proofs), published by Herman Daled, Yves Gevaert and Paul Lebeer, Paris.
Seen at
Phillips, New York, London, Hong Kong

Related themes

20th Century, Ironic Tone, Institutional Critique, Belgian Artist, Mixed Media, Conceptual Art, Text-based artwork, Political Commentary, Installation Art, Literary Reference

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