Haacke similarly produces conceptual works that directly interrogate museum institutions, corporate sponsorship, and the power structures governing art display, often using printed and documentary formats to deliver pointed institutional critique.

Buren shares Broodthaers' engagement with questioning the institutional framing of art, frequently producing numbered and editioned print works that challenge how museums and galleries define and contain artistic meaning.

Kosuth creates conceptual printed editions and text based works that examine the theoretical and institutional definitions of art itself, closely paralleling Broodthaers' use of the editioned print format to deliver art theoretical and critical content.