Three porcelain multiples by Lucio Fontana embody his radical concept of Spatialism, where two of the works are painted in striking black and gold, evoking a sense of cosmic depth and material richness. The crater-like forms reflect Fontana's enduring fascination with space, void, and the boundaries between surface and the infinite beyond. Together, these works demonstrate his ability to translate avant-garde ideas into tactile, sculptural objects that transcend traditional notions of painting and form.