Auerbach, a close friend of Kossoff, similarly created expressive urban London landscapes in printmaking and painting with intense atmospheric density and a focus on architectural subjects rendered with visceral mark making.

Freud produced deeply expressive etchings using drypoint and aquatint techniques that share Kossoff's commitment to monochrome tonality, textural richness, and the raw expressive potential of intaglio printmaking within the British Post-War tradition.

Rego worked extensively with aquatint etching on Arches paper, producing atmospheric and tonally complex prints that demonstrate similar technical command of layered intaglio processes and a comparable brooding expressive quality.