This vibrant acrylic composition on particle board demonstrates the artist's characteristic visual vocabulary of the early 1980s. The composition is divided between two contrasting formal systems: a densely packed field of organic, rounded shapes rendered in dotted texture occupies the lower left, while flowing, serpentine lines with rhythmic curves dominate the upper right portion. The bright turquoise ground unifies these two distinct pattern languages, creating a dynamic tension between cellular, cellular like forms and fluid, gestural marks. Black outlines define all shapes with bold clarity, while the work's energetic quality captures the intersection of graffiti based gestural mark making with geometric abstraction.