José Dávila's *Paisaje topográfico (Tríptico)* presents a triptych composition that engages with themes of landscape, geometry, and the constructed perception of space. Dávila's practice often blurs the boundaries between abstraction and representation, inviting viewers to consider how topographical forms are translated into visual language. The work's tripartite structure emphasizes rhythm and continuity, suggesting both fragmentation and cohesion within a single spatial narrative.