A towering presence assembled from four interconnected canvases, Joe Bradley's *Standing Figure (Robot)* renders the human form through a vocabulary of crude, cartoonish abstraction. Using acrylic paint in bold, simplified gestures, Bradley conjures a robot-like figure that hovers between primitive mark-making and playful artificiality. The multi-panel format lends the work a fragmented, almost architectural quality, emphasizing both the scale and the constructed nature of the painted body.