Baselitz works with bold expressionistic mark making and raw physical energy in printmaking, often employing primary color relationships and aggressive gestural techniques that closely mirror Dine's electric tool texture and emotional intensity in this triptych.

Johns shares Dine's commitment to aquatint printmaking with layered mixed media approaches, and his recurring use of primary color structures and multi panel compositions parallels the bold chromatic framework and conceptual desire themes explored in this triptych.

Rauschenberg consistently combined unconventional tools and mixed media techniques with vibrant primary color fields across multi panel works, making his approach to combining physical process with expressive color directly comparable to Dine's electric tool and aquatint methodology here.