James Rosenquist's screenprints draw on his background as a billboard painter, employing bold, fragmented imagery that merges consumer culture with a disorienting sense of scale. *Circles of Confusion* plays with optical distortion and overlapping forms, while *Whipped Butter for Eugene Ruchin* presents a close-up, sensory view of an everyday substance rendered monumental and abstract. Together, the works exemplify Rosenquist's signature Pop Art approach of transforming the mundane into something simultaneously familiar and visually jarring.