Hirschhorn constructs chaotic assemblages using cheap industrial and consumer materials like tape, cardboard, foil, and found photographs that similarly evoke the sensory overload of modern urban life and consumer culture. His fragmented, layered compositions share the same deliberate rawness and engagement with collective memory found in Urlaub.

Rhoades created sprawling mixed media installations combining industrial materials, plastics, consumer goods, and everyday objects in compositions that mirror Genzken's chaotic yet purposeful layering of disparate materials. His work similarly interrogates consumer culture and modern existence through colorful, experimental, and maximalist assemblage.

Lucas assembles found objects, photographs, and everyday industrial materials into playful yet provocative sculptural works that engage with materiality and cultural life in ways that closely parallel Genzken's approach in Urlaub. Her use of photography combined with physical mixed media objects to create layered, irreverent compositions reflects the same experimental and colorful sensibility.