Grayson Perry ’s Home Worker & Key Worker Staffordshire Figures (2021) reinterpret the tradition of Staffordshire ceramic figurines through the lens of the Covid-19 pandemic, transforming a familiar form of British folk art into a pointed record of contemporary social history. Produced during a period of lockdown, isolation, and public revaluation of labour, the complete limited editoin set of four glazed earthenware figures honours two archetypes that came to define everyday life during the crisis: the home worker and the frontline key worker. Staffordshire figures have historically depicted soldiers, royalty, and domestic scenes, functioning as affordable symbols of national identity and popular culture in the 19th century. Perry consciously adopts this format to elevate ordinary, often overlooked figures of modern society, aligning with his long-standing interest in class, labour, and the politics of recognition. Each figure is rendered with deliberate simplicity and hand-painted detail, combining warmth and irony while avoiding sentimentality. The home workers are shown in informal domestic attire, while the key workers carry symbols of care and service, quietly acknowledging roles that became newly visible during the pandemic. These ceramics sit squarely within Perry’s broader practice of using craft traditions to interrogate contemporary values. Like his celebrated vases and tapestries, the figures collapse distinctions between fine art and vernacular craft, using humour and accessibility to deliver social critique. The decision to work in ceramic form also underscores themes of fragility and resilience, echoing both the material’s historical associations and the emotional climate of 2020–21. Released only briefly and believed to have been produced in an edition of approximately 200 per design, the sculptures were distributed directly and without prolonged availability, contributing to their scarcity. Today, the complete set is regarded as one of Perry’s most culturally specific ceramic editions, capturing a precise historical moment while continuing his ongoing examination of British identity, labour, and collective memory.