Designated with a numeral suffix to distinguish it from a same-day work, this collage reveals how Richter often produced multiple pieces in a single session, treating the studio as a space of continuous experimentation. The companion designation invites direct visual comparison with its counterpart, raising questions about variation, repetition, and artistic decision-making. Collage in Richter's hands bridges his interest in photographic reproductions and abstract painterly gesture, allowing disparate visual elements to coexist. The work underscores the remarkable productivity and conceptual restlessness of his practice at age ninety.