Eggleston pioneered color photography in America at the same period as Shore, capturing mundane roadside landscapes and everyday American scenes with chromogenic prints that elevate the ordinary into something visually compelling.

Sternfeld's large format color documentary photography of American roads, landscapes, and ordinary locations shares Shore's cool observational eye and commitment to capturing the quiet, unspectacular beauty of everyday places in natural daylight.

Adams documents the American West and its roads and open landscapes with a similarly deadpan documentary approach, sharing Shore's interest in how human presence and infrastructure intersect with vast open terrain under natural light.